
Enlightenment Network correspondent Carla Kaiser gets into 2012 and interviews Mayan calendar expert John Major Jenkins:
While I have always been attracted to astrology and other metaphysical areas of study, I must admit that I never really felt that attracted to the whole 2012 thing. However, slowly but surely I started to notice that many of my favorite cultural heroes are acting like they take this 2012 thing seriously, so I figured, “Why not? What’s it going to hurt to look into it a little bit?”
Mainly I was just curious, more than anything else. I started to ask my friends if they had read anything about it and what books they’d like to recommend. 99.9% of the people I asked in my very unofficial survey recommended John Major Jenkins as a reliable source of information.
I began my search with Sounds True’s collection of essays entitled The Mystery of 2012. This book contains viewpoints from almost all of the heavy hitters in the 2012 arena, including John Major Jenkins.
After reading it, I had a lot of questions. Luckily, I had the opportunity to seek answers from John Major Jenkins:
EN: I watched a movie called The Fountain last week and wanted to ask for your thoughts. A Google search yielded the following quote from you:
JMJ: “Now, if you want to see a film that conveys an essentially Maya view of time and the meaning of sacrifice --- see Aronofsky's new movie release The Fountain. Although it too indulges in scenes of Maya savages, and places the Dark Rift in the wrong part of the sky, it actually conveys the Maya teaching about sacrifice in a compellingly on-target way. And it's use of three levels of time (past-present-future) is an ambitious attempt to transcend time and show non-causal connections between multiple events.”
EN: Have you noticed anything else in pop culture that runs parallel to your findings about the Mayan message?
JMJ: The pop culture is not a particularly fertile field to find affirmations of the Maya idea of transformation and renewal in 2012. There are stirrings in the realm of renewable energy and community building, but for the most part what you find in the pop culture is the shadow. By this I mean the collective denial of renewal manifests in an obsession with doomsday. Thus, the prevalent and by now tiresome specter of doomsday in films and novels about 2012 is the perfect confirmation, but flipped upside down by a culture that is unable to see beyond its own nihilistic fears.
EN: Speaking of sacrifice, I noticed an interesting statement in your essay which was published in The Mystery of 2012:
JMJ: “The monumental message of Izapa points the way with three methods: tantra, shamanic healing with sacred plants, and breathing meditation. The key to the efficacy of all three is sacrifice (or surrender). And the key to sacrifice is humility and compassion.”
EN: When most people hear the word tantra they think of sex. Can you elaborate on how this concept applies to the Mayan message?
JMJ: Tantra, the union of male and female energies, is somewhat surprisingly a completely appropriate way to think about 2012. First of all, it represents the galactic alignment that my work has shown is the thing the ancient Maya were wanting to target, or point to, with their 13-Baktun cycke ending date (December 21, 2012). This is the alignment of ther solstice sun with the dark rift in the Milky Way - which was mythologized as the union of the Cosmic Father and Cosmic Mother. This can be seen as a parallel expression of the Hindu Shiva-Shakti union. To engage in Tantric yoga and practice is thus to open a direct inner experience and understanding of this union, and thus what 2012 is really about. It is not, strictly speaking, about sex.
EN: There are a lot of unfamiliar terms and concepts for those of us who are new to 2012 studies: The Tree of Life, Singularity Point, Omega Point, Noosphere, Crop Circles, Sacred Geometry... If you were designing a 2012 curriculum for kids (7th graders), which would be the top vocabulary words and concepts you'd want them to understand?
JMJ: Most of these terms are misleadingly applied to 2012, and would need a fair amount of space to explain. If I was explaining 2012 to kids, I would use the mythic imagery of the Popol Vuh (the Hero Twin story). This is the Maya's own answer to your question - using the power of story to convey profound truths.
EN: Could you give us sneak peek into anything you are currently working on? Is there a mailing list or a link we can share with our audience members who would like to stay informed of your new projects?
JMJ: I have just completed a lengthy treatment of 2012, which will be released in October as a Tarcher Books hardback. It is called The 2012 Story and is about as comprehesnive as one can hope for. I also nurture many other creative projects and outlets, including playing guitar and song writing. I am launching an interactive informational online portal called Update2012.com, and am inaugurating this summer The Center for 2012 Studies. My work will be featured in two prime time television documentaries, one produced by NBC and one by National Geographic.
EN: What are you doing to personally prepare for the coming changes?
JMJ: I don't really think in these terms. I try to live my life with consciousness and engagement in the moment. I think the idea of a change in the future sort of puts us into a future projection mode, and we miss being present. I've always said that change happens in the present moment, and I've always dissuaded people from thinking that something fated and dramatic was scheduled to occur on December 21, 2012. This doesn't mean that the date is therefore meaningless or some kind of hoax. Readers can find out more about the key ideas in this work - the reconstruction of the Maya spiritual teachings at the site of Izapa, the galactic alignment astronomy and how it was embedded by the Maya into their ballgame, Creation Myth, and other traditions, and several other things, at my website: http://alignment2012.com
Thank you for the good questions and this opportunity to talk.
Click here to watch 2012: The Online Movie featuring John Jajor Jenkins, Gregg Braden, and Sonia Choquette.